In Coralie Fargeat's brand-new feminist horror motion picture The Substance, hazardous popular beauty specifications are the actual monsters. They (female objectification, the fingertip of "the old," the expansion of an industry built on body system alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individuality character
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Time noemde haar een "sluwe zakenvrouw" en Appear magazine voorspelde dat Monroe's overwinning een "voorbeeld zou zijn van het individu tegen de kudde".[5] In recent times, she experienced lived in Southern California around the proceeds of her revival. Once in a while, she gave interviews in her gentle Southern drawl, but mainly stayed from
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